Mass Choreography in Olympic Ceremonies: The Case of Turin 2006

Abstract

Since their first appearance in Olympic ceremonies, mass choreographies have played a significant role that has grown steadily over the years in terms of variety of images and organizational complexity. The use of choreographic language within them evolved in line with the aesthetic and social currents manifested in the major sporting events. Therefore, growth also occurred according to an internal logic of mutual influences between choreographers specializing in this type of mass movement. Mass choreography, which requires interdisciplinary study, has not yet been analyzed from the perspective of the history of sport, let alone with regard to the interrelationship between choreographers. The starting point for focusing on the evolution of this artistic element is the analysis of two choreographies by Doug Jack from the opening ceremony of the 2006 winter Olympics in Turin. The example of Turin is considered an important element in the search for a continuity of style with the past, as well as an influence on the productions that were presented in subsequent Olympic ceremonies.